Soundtoys Decapitator Manuale Utente

Decapitator Analog Saturation Effects SoundToys P.O. Box 528 Burlington, VT 05401 Phone: 802-951-9700 Fax: 802-951-9799 Phone: 802-951-9700 Tech

10 FOR MORE DETAILS If you made it this far, you deserve a medal! Now that you’ve taken the time to learn all about Decapitator, go to it! Have fun,

11 TRADEMARK INFO SoundToys, Decapitator and their respective logos are all trademarks of SoundToys, Inc. *All other trademarks are the property of

2 C O N T E N T S I N T R O 3!THANKS! 3!Installation 3!Basics 3!USING DECAPITATOR 4!Style 4!Drive 6!Auto Gain 6!Punish 7!Output 7!Mix 7!Lo

3 I N T R O THANKS! First off we want to say a big THANK YOU for your purchase of Decapitator. We know there are an awful lot of plug-ins for you t

4 USING DECAPITATOR First, let’s get out of the way what Decapitator is NOT. It’s NOT a guitar amp modeler, and it’s not a tape saturation plug-in. So

5 of these channels (and much more!) resides here at the SoundToys lab. We looked at and listened to a lot, and gave you what we thought were some of

6 true here. The sound is warm and punchy, and is especially useful to add some attitude to drums or other percussive instruments. P: Modeled after

7 Punish If you’ve maxed out your drive control and you still want more distortion go ahead and press the Punish button. We know you want to! This ki

8 Thump The Thump switch will add a few dB of low frequency boost right at the Low Cut frequency. This is similar to the ‘head bump’ of analog tape r

9 common complaint of some distortion devices. We’ve decided to give you total control over the amount of ‘Fizz’ you’d like to leave in, or take out.